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August 26, 2006

Pixar Flaming Teapot from Siggraph 2006

Well, I'm sorting through all the stuff I picked up at Siggraph and I ended up with two of the Pixar Flaming Windup Teapot toys. These are mint condition, only opened for the pictures. They have never been wound up or taken out of the boxes.






Sketch 1 Sketch 1

I was thinking of throwing one up on ebay, but I'd rather trade it for one from a different year. If you have a mint condition teapot from an earlier Siggraph (or another event, if they give them out elsewhere), send me an e-mail and maybe we can workout a trade. Probably I'd want to trade the higher-numbered one (5132), but I could be convinced otherwise.

Hmm, just noticed my e-mail address isn't anywhere to be found on this blog. I probably should correct that, but you can e-mail me at my gmail account. The usename is 'wdavidlewis'. Hopefully that's obfuscated enough to prevent me from getting (even more) spam, but not so obfuscated you can't figure it out. If you can't, leave me a comment and we'll work it out.

August 07, 2006

Back from Siggraph 2006

Well, I'm back from Siggraph.

I went to five courses, three sketches, a panel and spent more time than usual on the exhibition floor. Along the way, I picked up two Pixar flaming teapots, two "Cars" posters, and two t-shirts for free. I also bought a copy of Z-Brush, a license for Corel Painter to upgrade the tablet from the trial version and an anatomical model.

The Z-Brush demos looked awesome, and convinced me that I might even be able to model someday. We'll see if the reality is as good as the demo. I have such a difficult time with blendshapes in Maya, I wonder if I can get a workflow setup where I do my blendshapes in Z-Brush and bring them into Maya?

I also found out that there's a free learning edition of Houdini (called "Houdini Apprentice") that you can download from SideFx software.

The demos for Massive were pretty cool, though really just incrementally better than what I've seen before. When I first saw Stephen Regelous talk about Massive at Siggraph 2004, I was just totally blown away. Massive is doing a lot to make it easier and faster to create brains. They have a fairly extensive library of brains you can reuse. It's a pity a license is way out of reach for me. Coming from a programming background, I'd love to play with it.

I did some figure drawing at the Sony Booth. They had Karl Gnass giving short drawing lessons and you got to draw on a t-shirt. It was great to hear him talk about drawing. His book is just awesome. One excellent tip he gave was talking about the scapula and clavicle. I've always considered them part of the upper torso, and draw them that way. He said the upper torso is really just the rib cage; the scapula and clavicle are really parts of the arm. It seems like it's helped in my figure drawing.

I was a bit underwhelmed with the Electronic Theater. I was underwhelmed last year, and like this year even less than I did last year. I like "One Rat Short" but it wasn't as good as I expected given the large amount of hype about it. I attended an art sketch about it, and the line to get in stretched down the hall quite a ways and I barely got in.

All in all, it was a good trip. Next year, it's back in San Diego, which is the venue I like the best. Maybe I'll see you there.

July 29, 2006

Siggraph 2006 (and the Teapot Exhibit)

Well, I'm at Siggraph. I've made it through the registration gauntlet. I got to the convention center about two hours early to hop on the free wireless. The Hyatt wants $10 a day for wireless access; I think I'll try and do most of my web access from the convention center. Anyway, registration closes at 8:00, and there are still at least several hundred people waiting to get into the hall to register. Not sure they'll all make it; there may be a riot if they don't.

One special exhibit this year is a teapot exhibit. I thought it would just be a large number of pictures of teapots, renders of teapots, sculptures of teapots, etc. Rather mundane (unless you really like teapot art). For the most part, that's what it is. However, there's a really cool virtual teapot. There's a pen with force feedback on it that allows you to move the pen around an "Air Teapot". While you do so, a voice sings "I'm a little teapot". When you hit the spout, it sings "Here is my spout". Same for the handle. It's really cool. Stop by and give it a try. If you don't see (or hear) someone using it, it's easy to miss.

July 24, 2006

Siggraph 2006 calendar

I finally made some decisions about what I was going to do while I'm at Siggraph this year. There were a few days where I had a really difficult time deciding. Tuesday was particulary difficult: I had to choose between a series of sketches, a full-day course on Renderman and a full-day course on advanced real-time rendering. Too many choices. I finally fell back on my rule about seeing what probably won't be on the DVD.

Anyway, you can see where I'll be by looking on Google Calendar here (all times appear to be EST converted to your local time, at least that's what's going on with me...).

July 08, 2006

Tips for attending Siggraph 2006

Here are my tips for having a successful Siggraph event. I've not been to every Siggraph, but 2006 will be my eighth Siggraph in all, and fourth consecutive. These are some things I've learned over the years.

Register on Saturday night (6:00 to 8:00 p.m. this year)
This allows you to get your stuff (shirts, dvds, proceedings, etc.) and take it to your hotel room so you don't have to schlep it around all day. As an alternative, you can register on Sunday morning, but don't pick your stuff up until the end of day when you're headed back to the hotel.

Food at the convention center is expensive
Unfortunately, in LA, you don't have a lot of options close by (i.e. walking distance) and you could drop twelve dollars on a sandwich, a piece of fruit and a drink. In San Diego, walk into the Gaslamp and eat there. I don't know about Boston.

Take snacks
Otherwise you end up paying three dollars for an apple. In the past, water has been easy to get. Take an empty bottle with you in the morning.

Wear comfy shoes
'Nuff said.

Start training early
My feet always hurt at the end of the week. This year, I've started walking several miles a couple of times a week to prepare. Hopefully that will help.

Plan ahead
Use the web and see what's going on each day and make a schedule. Prioritize your schedule (I'm usually triple-booked for most of the conference). That way, if you get bored in a session, know where you want to go next After you go to registration on Saturday night, look over the handouts for new additions to the schedule.

Attend the Papers fast forward
I don't usually do the papers. I can read them in the proceedings later, and unless the paper is in an area I know really well, they usually go by too fast for me to keep up with. The fast forward lets you see what's there. You can always change your mind.

Attend sessions that likely won't be on the dvd
Most industry courses and sketches don't make it on to the DVD's you can buy. See the presentations you can only see at the conference while you're there; do the rest on DVD later on. This is probably the major deciding factor for breaking the triple-booking. If I think a session won't be on the DVD, it rises to the top of the priority list.

Use the course notes
Get the course notes off the dvd and take them with you on a laptop. This saves you from having to take so many notes. Another reason to register on Saturday night. You used to be able to buy printed course note for outrageous prices, but I think they stopped doing that last year.

Attending Parties
If you're a man, hang around with women (good advice in general). If you're an attractive woman, you can pretty much get into any party you want with or without an invite. If you're a guy with a woman, you stand a much better chance of getting in. Not that I would really know. I'm such a geek, I've been known to go back to my hotel and write a raytracer after Henrik Wann Jensen's photon mapping course than try and attend a party.

Exhibition purchasing
Buy books in the exhibition hall, they're usually discounted over the ones sold outside the exhibition. Also, most vendors will ship (sometimes for free if you buy in quantity e.g. buy three books) back home for you. This is the advice I almost never follow. Last year, my bag was 48 pounds due to the books I bought. If it had been 50 pounds, I would have had to pay the airline extra.

Here are some other Siggraph tips

Jim Blinn also wrote an article called "How to attend a Siggraph conference" that appeared in Computer Graphics and Applications, Vol 15 Issue 4. I think it was reprinted in his book "Dirty Pixels". I read it quite a number of years ago and think it was pretty good. I couldn't find an online copy. Sorry.

Good luck and I hope to see you at Siggraph!